Wednesday, February 26, 2020

James and Royce at the APA


Royce wj soc from Osopher

Greetings from chilly Chicago



where there must surely be something better to do tonight than attend a philosophy conference...



My badge boldly declares "my pronoun"...



I'll go downstairs in a bit to deliver my latest reflections on what we can learn from the friendly, good-spirited, lifelong philosophical antagonism between two great philosophers - a pragmatist and an idealist - who didn't let their divergent ideas diminish their humane mutual respect. That's kinda what we were talking about in class Thursday with Ben, isn't it?

Do I get extra credit for walking right past the Yazoo booth at Gate 25 without stopping, when I boarded the plane for Chicago?

Monday, February 17, 2020

The Resisters

My Baseball Conference subject for 2021? (It's The Brothers K this year.)

45835970. sx318 An audacious marvel of a novel about baseball and a future America, from the always inventive and exciting author of The Love Wife and Who's Irish

The time: a not-so-distant future. The place: AutoAmerica. The land: half under water. The Internet—the new face of government—is "Aunt Nettie": a mix of artificial intelligence, surveillance technology, and pesky maxims. The people have been divided, and no one is happy. The angel-fair "Netted" still have jobs and literally occupy the high ground, while the mostly coppertoned "Surplus" live on swampland if they're lucky, on the water if they're not.
     The story: To a Surplus couple—he was a professor, she's still a lawyer—is born a Blasian girl with a golden arm. At two, Gwen is hurling her stuffed animals from the crib; by ten she can hit whatever target she likes with a baseball; her teens find her playing happily in an underground Surplus league. When AutoAmerica re-enters the Olympics—with a special eye on beating ChinRussia—Gwen attracts interest. Soon she's at Net U, falling in love with her coach and considering "crossing over," even as her mother is challenging the AutoAmerican Way with lawsuits that will prove very dangerous.
     An astonishing story of an America that seems only too possible, and of a family struggling to maintain its humanity in circumstances that threaten their every value—even their very existence.
  g'r

The Resisters is palpably loving, smart, funny and desperately unsettling. The novel should be required reading for the country, both as a cautionary tale and because it is a stone-cold masterpiece. This is Gish Jen’s moment. She has pitched a perfect game.” —Ann Patchett, author of The Dutch House

“An absolute joy . . . I finished The Resisters with a tear in my eye and a smile on my face. Who could ask for a better combo? Gish Jen has written a one-of-a-kind book with great characters—especially Eleanor, who is the heart of the story—and a warm heart. Remind Ms. Jen that the great Ernie Banks said, ‘Hey, guys, let’s play two!’ Which is my way of saying I wouldn’t mind a sequel. Probably won’t happen, but a guy can hope. P.S. This lady knows her baseball.” —Stephen King, author of The Institute

“A dystopia so chillingly plausible that an entire review could be spent simply describing its components. To do that, however, would scant the provocative ideas that underpin her gripping tale of a family confronting the digitally empowered authoritarian state . . . Over the course of three decades, Jen’s social and psychological observations have only sharpened, while her marvelous humor has darkened . . . Alert as always to the demands of storytelling and character development, she crafts a suspenseful, deftly plotted narrative”  —Wendy Smith, The Boston Globe

“Intricately imagined . . . The Resisters is a book that grows directly out of the soil of our current political moment, and much of the book’s unsettling pleasure lies in Jen’s ingenious extrapolation (or, in some cases, redescription) of contemporary problems. [She] has a gifted ear for the manipulative languages of tech, marketing and government.” —Karen Thompson Walker, The New York Times Book Review

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Thursday, February 6, 2020

The Little House

Just occurred to me, thinking of Michael Pollan's cool writing hut, that I don't have an image of my rustic retreat here. 'Til now. It hasn't looked like this since 2017.

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