His wife, Angelica, said he died in a hospital a day after he was struck by a car while crossing a street three blocks from their house in Berkeley.
Mr. Clark — whose influences included Ezra Pound, William Carlos Williams and Wallace Stevens — gracefully wed lyricism to modernism, added humor, cosmology and a love of the natural world, and demonstrated in his use of language a grounding in the poetry of British masters like John Donne and Andrew Marvell.
“His poetry was music to the ear — poetic, but not obtrusive like Dylan Thomas going ‘clang, clang, clang,’ ” Ron Padgett, a poet and friend of Mr. Clark’s, said in a telephone interview. “It was something subtler. You always came away elevated.”
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